影视表演Televisionshow

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1、影视表演（Television show）Performing exercisesa without physical exercise:No physical exercise is a kind of training method. It is on the actors imagination, attention, sense of reality and belief and action organization ability is helpful. But not to exist without physical, in the performance of idea an

2、d graphic dont do too much, it did not show signs of film performance requirements performance is useless and harmful.(1) the clothes broke up clothes. The button is off sew on a button.(2) the snow, snow, snowball, snowman.(3) rub the rope, mowing, wood, straw sandals.(4) reading or writing, the li

3、ghts in the dark to find matches, candles, lighting to continue reading.(5) the shoeshine, shave, wash.(6) fishing, bait, fishing and pick the fish.(7) use firewood briquettes stove, washing rice cooking.(8) to roll the noodles and dumplings.(9) catch butterflies, dragonflies, birds, catch catch ins

4、ects.(10) from the well, the river, spring water, choose to go home.11, remove contact lenses12, in front of the preparations (wash and change clothes)13, change the light bulb14, dumbbell (note that the degree of muscle relaxation)15, take medicine16, make a snowman17, dumplings18, the mosquito (no

5、te the mosquitoes flying route)19, sketch (tomato and egg fried rice)1, wash the tomatoes washed 2, onion 3 tomatoes cut into pieces, will be appropriate, 4 onions chopped green onion, open the stove and 5 spare heat transferred to the appropriate 6, two egg, open bowl. 7 use chopsticks to stir the

6、egg evenly. 8, take the bottle to open the lid into a bowl. 9, after the oil heat, pour a bowl of egg, fried egg with a shovel, cooked by. 10 egg cooked a bowl. 11, take over the amount of oil poured into the bottle to open the lid. 12, when the oil is hot, add chopped green onion. 13, will be ready

7、 Steamed Rice pour into the pan, stir with a shovel. In 14 will be ready, the fried egg into the fry. 15 will switch off the stove, 16 fried tomatoes Fried rice with egg into the bowl.No physical exercise must be prescribed in simple situations, some simple obstacles and events, through imagination,

8、 action, not mechanically complete body movements.two no object communication practice:No object is not equal to no object, only the position of the object lens is occupied, the actor in mind to have a clear visual image, and to have the concept of space object. The eyes to find the fulcrum of visio

9、n, to have a sense of distance, in particular to have the sense of image:1, the transition to practice:(1) call, an acquaintance or a strangers voice (tell something unusual).(2) call report or hear a news report; or hear a bad news.(3) walking in the street, saw a lost child crying, coax him, tease

10、 him, send him home.(4) in the street or on duty station, publicity, etc.2, the second person narrative practice:(1) a his most moving thing.(2) say a funny thing.(3) a annoying thing.(4) a teachers praise.(5) a terrible experience.(6) a boast of his friends.(7) said a sad story.(8) describe a see l

11、ife in the deepest impression of people.(9) said that some of their most love.(10) said a fierce debate.3, the action of exercise:(1) courtship, marriage, accepted or rejected.(2) to eliminate misunderstanding.(3) rebuke, quarrel.(4) comfort and persuasion.(5) to retain counsel.(6) recognize and ide

12、ntify.(7) admit, default, training.(8) anger to joy, happiness turns to sorrow.(9) the knife mouth tofu heart, Shailinei stubble and so on.(10) alternate between joy and grief.This practice can by two people, and then separated from everyone to do their own. There must be provided to the event situa

13、tion,Have a strong sense of faith.4, music practice:The actor of music practice, in order to grasp the role at the specified speed and rhythm in the situation and change. Because has the speed and rhythm is a complex problem, so the practice is only a secondary form, hoping to help the creation of t

14、he role.The rhythm is the external manifestation of body movement, rhythm is the experience of internal performance. They can not be separated is a unified action. The organic life rhythm is right perfect action.Stanislavski said: where there is life, there is action; where there is action, there ar

15、e activities; where there is activity, there is speed; where there is speed, there is rhythmGeneral rhythm practice:(1), a train, tug of war, drum team, ramming.(2) the funeral, a dangerous bridge, wire walking, walk on the ice.(3) playing football, snowball fights, chicken and winding wool.The rhyt

16、hm and music practice:Lullaby(1) the quiet of the night (2) after the date(3) the baby to sleep (4) the girls dreamSonata(1) acrobatic performances (2) Wushu dragon and tiger(3) fencing Boxing (4)The rhythm of the music.(1) the awakening, struggle, escape (2) found, identify, meet(3) camping by the

17、lake in forest, rest, aid(4) the struggle in prison, border checkpoints, act rashly and alert the enemy5, change the image of practice:The task or tasks created the actors performing arts, the typical character is real, vivid, vivid shape.The creation of distinctive characters, plays a very importan

18、t role in the film performances, but the character of the creation, to create different from their various characters, performing exploration of artistic creation and the pursuit of a very important aspect.6, exercise feeling:Someone said: the film performance is the art of feeling is justified. In

19、the life of the people on the outside of the feeling is naturally reflected, is true, there is a hypothetical performance, need actors on hypothetical situations, such as through the action for gospel truth imagine a series of psychological techniques make it become a real art, have a real feeling.

20、This needs to create, and this ability can be gained through training.Visual training1, has begun into the cinema, a dark, cant find a seat.2, walked into the dark room, the sun was dazzled.3, sand, to identify the direction, to find the village in the distance.4, standing at the window, walked in f

21、ront of the various notes: enemies, traitors, friends, lovers, no relationship between people.Hearing practice1 lessons, hear the mouse bite.2 in the dark, there are shouting sound in the distance.3, neighbors in the music, love or not love.4, heard a familiar voice.Taste practice1, try to sour, swe

22、et, bitter, hot salty.2, hungry to eat sour food.3, eat the wrong to.4, have a taste of this dish is delicious? The soup of the tongue.Sense of practice1, smell the flowers2, the house has a smell, smell gas.3, alpine hypoxia, breathing.Tactile1, rain, snow, wind, water, heat, cold, cold, cold2, itc

23、hing, pain, injury, burns, twisted feet,3, first hand, the first kiss4, touch a suspicious object but not see.5, the blind identification of separated relatives.Comprehensive exercises1, in the exhibition hall to see paintings, three pieces of attention mother love, conspiracy, the sea.2, listen to

24、the report sleepy people do not want to see.3, eat on his teeth, bite cheek, unwilling to give up the spit.4, secretly eat, afraid of being seen, the choke.5, watching cricket, listen to it, bite the hand, hold out almost crushed.6, when reading a drop of water in the neck.7, reading is content to a

25、ttract and excited. Suddenly found a blood buying note about themselves.8, when reading found love to betray his evidence.9, yawn in public, belch, leg cramps.10, collapse, intoxication, coma, dizziness, failure, and no real connection must be in simple rules in the context of the occurrence of some

26、 simple obstacles and events through the imagination. Action, not mechanically complete the new action.Concentration exercises1 auditory attention exercises1, listen to the people upstairs door, with a shout.2, hear someone talking about you quietly, what to say?3, behind something fell on the groun

27、d, is a needle? The ball? The book? The bottle?4, in the house heard around what sound.Visual attention exercises1, a classmate write a note, the other students see and read it.2, the torn pieces of the article and read it together.3, standing at the window and looked out, saw what to say.4, sewing

28、needle on the ground, is looking for a pin drop.8, attention allocation practice:(1) two people each holding a tennis racket, put on the table tennis, walking about one thing, to see who the ball to fall down.(2) draw a straight line, the left side of a bowl filled with water, over head and head to

29、the right and walk the talk, talk, do not sprinkle water requirements, continue to walk straight.(3) on the balance beam on the ball, walking and talking to people.(4) and answer four question, not more than two times.four the exercise of imagination:Hagel said: for the artist, the most prominent is

30、 the ability to imagine.The actors imagination and creation to role beliefs, sense of reality together, expand the movement within the prescribed condition, in order to establish the role of life.1, the layout of the environment to practice:(1) you in the forest, trees, and flowers around the beast.

31、(2) you in deep hole, the torch extinguished, the darkness, the sound of water dripping, shouting no answer.(3) on the ten floor you wipe glass.(4) to demonstrate what is this place? The beach, station, park, school, church, cemetery.(5) two people face to face through repeatedly, requires every att

32、itude and feel different to prove location environment, the characters emotions, best not to speak or speak less.2, change of object attitude:(1) all round, with a pen (or a stick, washbasin, basket.) For each action, attitude to prove into another thing, what changed things to the original size.(2)

33、 the following proposition shows reasonable change, with action: rope - snake; knife - stick; chalk - cigarette - mirror books;(3) American actor Furlong Thys practice: the first person in command of a Symphony Orchestra - second people took command of action becomes a big butterfly dancing in the r

34、oom. The natural rhythm and shape change, content change. The next third, fourth.3, the simulation exercise of imagination:(1) as a statue (person, action will do)(2) simulation of a plant (the trees and grass are available)(3) simulation of an animal. The collective Happy Zoo.(4) I am a little pupp

35、et or animal cartoon characters and simulation.4, the story of practice:(1) about his knowledge or reading books, watching movies, listen to the news.(2) tell bizarre stories: one or more people can. Such as: I was eating bread and sausage, suddenly heard a faint voice, dont let me down, Ill give yo

36、u my story, and bread and intestinal told me that he was an orphan early. The story not generalized to arbitrary, full of tricks, enjoy the play, do not have any meaning, logic, at the beginning of all, where is where, without tail echo, everything.(3) collective story: at the beginning of a person,

37、 talked about the important juncture of another person according to their own ideas went on: I heard footsteps. Step by step into the door, I was scared, the door slowly opened, came in. . Another person then said: a person with a dish of sardines and a cup of milk,I realized I forgot to eat supper.

38、 (please dont show more than one Furlong Thys)5, the body feel - to find and establish the role of psychological:First, clothing, makeup shape change practice:(1) a vision character: to change his image with clothes, shoes and hats. Such as: doctors, military officers, pilots, prisoners.(2) wear a b

39、eard, shaved hair, or wigs to change the appearance and age.(3) wearing hoods, mounted on the nose putty, dress up for foreigners.(4) ancient costume.To change the sound, practice:(1) change the voice on the phone, dont let each other out of their own.(2) Dialect in the movie, let the other person w

40、ho can not find.(3) combined with the makeup, in order to change the sound, more uniform image change. Hard, hard, hard to prevent.(4) to call people to change the sound in the distance or downstairs, to exercise the sound of plastic.You, change form action:(1). Each change of 5-10 times different i

41、mages to the bridge. For purpose, action, speed and rhythm, are not the same.(2) 10 different characters of external action. Have the characteristics, nature.(3) to imitate the familiar characteristics of the people, let everyone guess who it is?(4) the masquerade. But the historical figures, leader

42、s, mythological figures, but also the famous literary works of people.The actor is a complex of inner feelings and external skills and inner feelings and sense of faith and imagination as the main coreYou need to cultivate a sense of faith muscle memoryThe first left their clothes in the chest cloth

43、es to find out a piece to wear on the body and then create virtual lines and the scene in front of the mirror and demonstrationThe purpose of doing so is to improvise creativity and sense of faith culture out of the main actor is performing a deal with the level of clothes is test actors on the self

44、 creation and remember you must create the shape of the characters in a particular language and action is not allSecond will let others to write a few words you connect the words to tell a story and take her to play outThe main response is to cultivate the impromptu speech and sense of faith and cre

45、ate absolutelyThird there are many of my friends would ask how to cultivate their sense of faith so I can put some of my ways to teach you1. in a day or a period of time, assuming that you are a person under the assumption of a character and life background and then use this person to live for a period of time2. for the school performance of students, each component, and then for a period of time