现代大学英语听力3原文及答案unit3(供参考)
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1、Unit3Task1【答案】A.1)F2)T3)T4)F5)T6)TB.1) ShetakescareoftheJotmsonschildrenwhentheirmotherissick.2) Whentheygottothetheater,theyfoundthattheGmoviewasntthereanymoreThetheaterwasshowinganX-ratedmoviecallecGIRLS.3) SinceshedidntknowwhatXmeant,shethoughtamovieaboutgirlswouldbefineforlittlegirls.【原文】Jack:Di
2、dyouhearwhathappenedtoHelga?Shealmostlostherjob.Mary:Ididntknowshehadone.Jack:Well,itsjustapart-timejob.HelgatakescareoftheJotmsonschildrenwhentheirmotherissick.Mrs.Johnsonhasntbeenwelllately.Mary:Whathappened?WhydidHelgaalmostloseherjob?Jack:Well,therewasachildrensmovieadvertisedattheneighborhoodth
3、eaterlastSaturday.ItwasoneofthoseGmovies,forgeneralaudiences.Mary:IsupposeHelgatooktheJohnsonchildrentothemovie.Wasntthatallright?Jack:Yes,buthereiswhathappened.Whentheygottothetheater,theyfoundthattheGmoviewasntthereanymore.ThetheaterwasshowinganX-ratedmoviecalledGIRLS.Mary:X-ratedmoviesarereallyba
4、d,arentthey?Jack:TheyreevenworsethanR-ratedoneswhichteenagersarentsupposedtosee.ButHelgadidntknowwhatXmeant,andshethoughtamovieaboutgirlswouldbefineforlittlegirls.Mary:Didthetheaterletherin?Jack:No,butHelgatriedtomakethemletherin.ThemanagerhadtocallMrs.Johnson.Thatshowshealmostlostherjob.Task2【答案】A.
5、1)F2)T3)T4)F5)F6)FB.JudywatchedabitofTVlastnight.Beforethefootballcameon,sheswitchedoverjusttoprotest,forshecouldntbearfootball,andthusshesawtheendofthefilmTheGraduate.Whenthefootballcameon,sheturnedovertoaprogrammeonfoxes.Afterthefoxes,sheturnedoverbacktoseewhowonthefootball,butonlysawthebeginningo
6、ftheNews.Thenshepackedupandwenttobed.【原文】Stuart:Whatdidyoudolastnightthen?Didyouworkallnight?Judy:Yes,Ididsomework,butIwatchedabitofTV.Gottorelax,youknow.Stuart:Didyouwatchthefootball?Judy:No,noIdidnt.Icantbearfootball.Stuart:Really?Judy:Yes.Ireallyhateit.Well,actually,justbeforethefootballcameon,Is
7、witchedoverjustto.justtoprotest.Stuart:Whatdidyouseethen?Judy:Well,Isawtheprogrammebefore.justtheendofafilmthatwasonbeforethefootball.Itlookedquitegoodactually.ItsashameIdidntswitchonearlier.Itwassomekindoflovestory.withDustinHoffman,youknow,Theerm.Stuart:TheGraduate?Judy:Thatsit.TheGraduateStuart:Y
8、es.Iknow.Iveseenthat.Yes,goodfilm.Judy:Yes,andnicemusic.Andthen,whenthefootballcameonIturnedover.Stuart:Terrible,terrible!Judy:Ihateit!Ireallycantstandit.Stuart:Itwasagreatgame!Judy:Yes?Whowasplaying?Stuart:England,ofcourse.Whatdidyouseethen,thatwasmoreimportantthanfootball?Judy:Foxes.Yes,agoodprogr
9、ammeonfoxes.Yes,theyspentageswatchingthesefoxesinahouse.Theywerewatchingthemallnightandtheselittlebabyfoxes.Itwastremendous.Stuart:Yes,soundsallright.Judy:Yes,itwasgoodbetterthanfootball.andthen,thenIturnedover,backtotheotherchanneltoseewhowonthefootball,butImisseditandIjustsawthebeginningofthenewsa
10、ndpackedupandwenttobed.Stuart:Well,Imsorryyoumissedit.Itwasagoodgame.Judy:Whodidwin?Stuart:England,ofcourse.Whodoyouthink?Sixnil.Yes.Judy:Musthavebeenquitegoodthen!Stuart:Yes,itwasgood,actually.Itwasverygood.Task3【答案】A. 1)b)2)c)B. 1)F2)F3)FC.Topic:HowthemoviesareproducedThesis:Therearesixbasicstepst
11、hatarenormallyfollowedintheproductionofafull-lengthfilm.Steps:Firststepfindingaproperty;twotypesofproperties1) Anoriginalstorye.g.StarWars,BacktotheFuture,Rocky2) Apropertyfromanovel,play,ormusicale.g.TheSoundofMusic,Tess,TheGodfatherSecondstep-writingthescript;twooptions1) Theoriginalwhtertakespart
12、intheproductionofthescript2) DirectorswritethescriptsthemselvesIGoodmorning,ladiesandgentlemen!Letsstartthisintroductiontofilmmakingwithasimplequestion:Howmanyofyouhaveseenamoviethisweek?ItdoesntmatterifitwasatthetheaterorjustonyourownTV.Uhhuh,justasIthought,almostallofyouhave.Ofcourse,mostofuslovet
13、hemoviesthemagic,theescapethattheyprovide,butmostofusrarelystoptothinkabouttheprocessofmakingamovie.Justwhatdoesittaketogetthatmoviefromtheideastagetothefinalproduct?Whatarethedecisionsthatmustbemade?Whatproblemsareencountered?Exactlyhowdoesamoviestudiogoaboutmakingamovie?Thesearepreciselythetopicst
14、hatwewillbeexploringtoday.Therearesixbasicstepsthatarenormallyfollowedintheproductionofafull-lengthfilm.Illoutlinethemforyou.Thefirststepisratherobvious-tomakeafilmyoumusthaveanidea.,astory.sometopicfortheproject.Thestudiomustfindaproperty.Thatsakeyword,folksproperty,p-r-o-p-e-r-t-y.Youallknowthecom
15、monmeaningofthisword,ofcourse,butinfilmmakingthewordpropertyhasaveryspecificmeaning.Apropertyisthestoryonwhichthemoviewillbebased.Okay,itsthestoryonwhichthemovieisbased.Youareprobablywonderingwhywecallitaproperty.Well,itbelongstosomeone;itisthatpersonspropertyandmustbeacquiredbythestudio,sometimesfo
16、rquitealargesumofmoney.Therearebasicallytwokindsofproperties.Thefirstisanoriginalstorythathasneverappearedanywherebeforeneverbeeninabook,ormagazine,oranotherfilm.Inotherwords,thestoryisintendedfromtheverybeginningtobemadeintoamovie.StarWarsisonegoodexampleofthistypeofpropertyyoudorememberthatfamouss
17、ciencefictionfilm,dontyou?AnotherexampleisBacktotheFutureoh,andalsoRocky.Allofthesewerebasedonastorywrittenonlyforthepurposeofmakingamovie.Actuallythough,themajorityofproperties,forfamousfilmsatleast,comefromnovels,plays,ormusicalsthatarealreadypublished.ExamplesofthistypeofpropertyincludeTheSoundof
18、Music,whichwasoriginallyaplay,Tess,afamousnovel,andTheGodfather,whichwasalsofirstanovel.Okay,thatsstepnumberonefindingaproperty.Well,nowwehavetheproperty.Thenextstepistoprepareascriptfromthatproperty.Thispartoftheprocesscantakeseveralmonthsorsometimesevenayearormore.Itsquitealengthyandtime-consuming
19、process.Duringthistime,thescriptwriter,producer,anddirectorusuallyworkverycloselywitheachother.Recently,therehasbeenatrendtoalsohavetheoriginalwritertheoriginalpropertyownertakepartintheproductionofthescript.Thismeansthatifthepropertyistakenfromabookorplay,theoriginalauthorofthebookorplayisinvolvedi
20、nwritingthescript.Thisisagoodtrend,Ithink.Whocouldpossiblyknowthestorybetterorunderstanditmoreclearlythanitsoriginalcreator?Anotheroption,however,isfordirectorstowritescriptsthemselves.Thisoftenoccursbecausescriptwritersarenotonlyresponsibleforthedialog,buttheyalsomustspecifywhatkindofcamerashotsthe
21、ywantused.Forinstance,inallscenes,andespeciallylongscenesthatdonthaveanydialog,thescriptwritermustdescribewhatthecamerashouldfocuson,whatshouldbeinthecenteroftheshot,whatmoodtheimageshouldpresent.Directorshavemuchmoreexperiencewithcameraworkandoftenprefertowritethescriptthemselvesforthisreason.Sotha
22、tsstepnumbertwowritingthescript.Task4【答案】A. 1)a)2)a)B. 1)F2)F3)TC.Topic:HowmoviesareproducedThesis:Therearesixbasicstepsthatarenormallyfollowedintheproductionofafull-lengthfilm.Steps:Thirdstepcastingthefilm;twotypesofcasting1) BuildingthemoviearoundafamousstarAdvantages:Afamoussta门sagreatassettothef
23、ilm.Itattractsfansautomatically.Financialsuccessofthemoviedependsonhowmanypeoplecometoseeit.Disadvantages:Famousstarareveryexpensive.TheytakeattentionawayfromthestoryIself.Theydistracttheaudience.2) CastingmovieswithunknownactorsandactressesAdvantages:Moviecentersaroundthestory计self.Makethemoviemore
24、believable.Fourthstepfilmingthemovie;doneintwotypesofplaces1) Soundstages-bothpicturesanddialogsarerecorded.2) Partiallyfilmedonlocationinarealsetting.Note:allthesceneswithabigstarcandonefirst,orallthescenesshotatthesamelocationcanbefilmedatthesametime.【原文】Okay,nowthescriptisfinishedandapproved,andw
25、earereadyforthenextstepaverycriticalstepindeedthecastingofthefilm.Thesuccessorfailureofamoviecandependontheabilityoftheactorsandactressestoconvinceusthattheyreallyarethecharactersthattheyareportraying.Theproducerandthedirectormustchoosethecastvery,verycarefully.Thisstepofchoosingtheactorsandactresse
26、siscalledcasting.Gotit?Castingischoosingtheactorsandactresses,thecastofthemovie.Thereare,ingeneral,twotypesofcasting.Thefirstandthemostcommonapproachistobuildthemoviearoundafamousstar.Itisobviousthathavingawell-recognizednameinthecastisagreatassettothefilm.Havingsomeone,likeTomCruise,MerylStreep,orH
27、arrisonFordwillautomaticallyattractlargenumbersoftheirfanstothemovie.Andofcourse,thefinancialsuccessofthemoviedependsonhowmanypeoplecometoseeit.Now,thereisalsoasecondtypeofcasting,andithasworkedverywellattimes.Althoughitistruethattopstarscanattractaudiences,theyarealsovery,veryexpensive.Withthisinmi
28、nd,someproducersanddirectorscasttheirmovieswithunknownactorsandactresses,concentratingonwhofitsthepartthebest,notwhohasthebiggestname.Actually,thisapproach,asIsaid,canworkquitewellbecausesometimesabigstarcanactuallytakeattentionawayfromthestoryitself.Inotherwords,thestarsdistracttheaudience!Theaudie
29、ncefocusesonthestar,notonthestory.OneexampleofthissecondtypeofcastingisthemovieE.T.,whichis,infact,oneofthemostpopularmoviesofalltime.Unknownchildactorsandactresseswerehiredandthemoviecenteredaroundthestoryitself.Theproduceranddirectorprobablythoughtthatunknownactorswouldmakethemoviemorebelievable.A
30、bigstarmightactuallyhurtthatmovie.Well,ontothenextstep.Afterthecastinghasbeencompleted,thefourthstep,filmingthemovie,canbegin.Filminganykindofmajormotionpictureusuallytakesaboutsixtoeightmonths.Now,youmightnotknowthis,butfilmingrarelytakesplaceinthesameorderasthestory.Thereasonforshootinginadifferen
31、ttimeorderisthatallthesceneswithabigstarcanbedonefirst,orallthescenesshotatthesamelocationcanbefilmedatthesametime.Sowhathappensisthis:Theorderscenesarefilmedinandtheordertheyappearinthemoviearealmostalwayscompletelydifferent.Itwouldbeinconvenientandcostswouldincreasedramaticallyifsceneswerefilmedin
32、theorderthatweseetheminthefinishedmovie.Thefilmingitselfisdoneintwotypesofplaces.Thefirstisstudiobuildingscalledsoundstages.Theyweregiventhisnamebecausebothpicturesanddialogsarerecordedthere.Thesesoundstagescanbemadetoappearlikealmostanythingfromafourteenth-centurytowntoasmallhotelroom.Inadditiontos
33、oundstages,mostmoviesarepartiallyfilmedonlocationinarealsetting.Onlocationmeansthattheactors,actresses,filmcrew,andothernecessarypersonnelmusttraveltoaplacelike,maybe,aSouthAmericanjungleordowntownParis,orwherever,forfilmingcertainscenes.Thismakesthemoviemoreinterestingandrealistic.Indoorscenescanea
34、silybefilmedonasoundstage,butscenesthatrequireextensiveuseofoutdoorsceneryorusefamousplacesasbackgroundsmustbedoneonlocationtoberealistic.Asyoucanimagine,thecostsoffilmingonlocationareenormous.Peopleandequipmentmustbeflowntotheplace,livingaccommodationsmustbefound,andfoodhastobeprovidedforalargenumb
35、erofpeople.Therearelotsofpracticalproblemslikethese.Theaddedrealismoffilmingonlocationaddsalotofexpensetoafilm.Task5【答案】2) weneverfonditdifficulttooccupyoursparetime3) Weusedtoenjoycivilizedpleasures4) AllourfreetimeisregulatedbyTV5) Itdemandsandobtainsabsolutesilenceandattention6) Wholegenerationsa
36、regrowingupaddictedtoit7) Itisauniversalpacifier8) rubbishycommercialsorspectaclesofsadismandviolence9) vastquantitiesofcreativework10) theycantkeeppacewiththedemandandmaintainhighstandardlslaswe11) becomesavillage,isreducedtopreliteratecommunities,utterlydependentonpicturesandthespokenword12) Itenc
37、ouragespassiveenjoyment13) Itcutsusofffromtherealworld14) fromcommunicatingwitheachother15) howtotallyirrelevanttelevisionistorealliving【原文】“Yes,buwthatdidweusetodobeforetherewastelevision?”Howoftenwehearstatementslikethis!Televisionhasnbteenwithusallthatlong,butwearealreadybeginningtoforgetwhatthew
38、orldwaslikewithoutit.Beforeweadmittedtheone-eyedmonsterintoourhomes,weneverfonditdifficulttooccupyoursparetime.Weusedtoenjoycivilizedpleasures.Forinstance,weusedtohavehobbies;weusedtoentertainourfriendsandbeentertainedbythem;weusedtogooutsideforouramusementstotheatres,cinemas,restaurantsandsportinge
39、vents.Weevenusedtoread books and listen to music and broadcast talks occasionally. All that belongs to thepast. Now all our free time is regulated by theegorugsghlehboomxe ”or.gWulp10downourmealstobeintimeforthisorthatprogramme.Wehaveevengivenupsittingattableandhavingaleisurelyeveningmeal,exchanging
40、thenewsoftheday.Asandwichandaglassofbeerwilldoanything,providingitdoesnnterferewiththetiprogramme.Themonsterdemandsandobtainsabsolutesilenceandattention.Ifanymemberofthefamilydarestoopenhismouthduringaprogramme,heisquicklysilenced.Wholegenerationsaregrowingupaddictedtothetelly.Foodisleftuneaten,home
41、workundoneandsleepislost.Thetellyisauniversalpacifier.Itisnowstandardpracticeformothertokeepthechildrenquietbyputtingthemintheliving-roomandturningontheset.Itdoesntmatterthatthechildrenwbilbliwshaytcchormumercialsorspectaclesofsadismandviolence-solongastheyarequiet.Thereisalimittotheamountofcreative
42、talentavailableintheworld.Everyday,televisionconsumesvastquantitiesofcreativework.Thatiswhymostoftheprogrammesaresobad:itisimpossibletokeeppacewiththedemandandmaintainhighstandardsaswell.Whenmillionswatchthesameprogrammes,thewholeworldbecomesavillage,andsocietyisreducedtotheconditionswhichobtaininpr
43、eliteratecommunities.Webecomeutterlydependentonthetwomostprimitivemediaofcommunication:picturesandthespokenword.Televisionencouragespassiveenjoyment.Webecomecontentwithsecond-handexperiences.Itissoeasytositinourarmchairswatchingothersworking.Littlebylittle,televisioncutsusofffromtherealworld.Wegetso
44、lazywechoosetospendafinedayinsemi-darkness,gluedtooursets,ratherthangooutintotheworlditself.Televisionmaybessplendidmediumofcommunication,butitpreventsusfromcommunicatingwitheachother.Weonlybecomeawarehowtotallyirrelevanttelevisionistoreallivingwhenwespendaholidaybytheseaorinthemountains,farawayfrom
45、civilization.Inquiet,naturalsurroundings,wequicklydiscoverhowlittlewemissthehypnotictyrannyofKingTelly.Task6【答案】A.1) ItcamefromAlanseldestson.2) BecausetherewerelotsofchildreninafilmaboutgangstersinNewYork.3) TheyvisitedordinaryschoolsandstageschoolsandChristmasshowsalloverAmerica,andlookedforAmeric
46、anchildreninBritain,too.Alansawabout100videosofChristmasshowsandauditionedover10,000children.4) Alltheclotheshadtobeintherightstylebutinsmallsizes,eventhegangsterhats.B.1)c2)e3)a4)b5)f6)d【原文】Mike:WelcometoRadioTime,andthismonthseditionofFilmWorld.ImverypleasedtohaveAlanParkerwithmefortodaysprogram.A
47、lan,youmadeoneofthemostfamousandpopularchildrensfilmsofalltimeBugsyMalone.Tellme,whendidyoufirstthinkoftheideaforBugsyMalone?Alan:Well,IhavetosaythatIdidntthinkoftheideamyself.Itcamefrommyeldestson.Mike:Ah,soyouknewitwasagoodideaforachildrensfilm.Alan:Yes.Itooktheideaandwrotethefullstory.Thatwasin19
48、73.Mike:Wasitdifficulttowrite?Alan:No,itwasmoredifficulttogetthemoneytomakethefilm.AlotofpeoplethoughtitwasastrangeidealotsofchildreninafilmaboutgangstersinNewYork.Mike:Isitatruestory?Alan:Notquite.ButthereweretwogangsinNewYorkin1929,theyearofmystory.Mike:Howdidyouchoosetheactors?Alan:Thatwasalotofw
49、ork.WevisitedordinaryschoolsandstageschoolsandChristmasshowsalloverAmerica.AndwelookedforAmericanchildreninBritain,too.Isawabout100videosofChristmasshows,andweauditionedover10,000childrenforthecast.Mike:Sotherewasalotofcompetitiontogetapart?Alan:Ohyes,buttherealwaysis.Mike:HowlongdidittaketofilmBugs
50、yMalone?Alan:Elevenweeks.Thefilmingwasquitequickinfact.Butwehadtodoalotofworkfirst.Weneeded300costumes,Iremember.Andalltheclotheshadtobeintherightstylebutinsmallsizes,eventhegangsterhats.Task7【答案】A.1)T2)F3)T4)T5)F6)F7)F8)FB.1)a)2)b)3)a)4)c)5)b)6)b)7)b)8)c)【原文】Matthew:Televisionisundoubtedlyagreatinv
51、ention,butoneofthemaincriticismsofitisthatpeoplejustarentselectiveenough.Lesley,youvegotatelevision;howdoyoupickoutthesortsofprogrammesyouwanttowatch?Lesley:Itryandlookattheprograxnmesthatareontodecidewhichparticularonesinterestme,ratherthanyouturningitonasevenoclockandyouleavingitonuntilhalf-pastel
52、evenwhentheprogrammesfinish.Matthew:Doyouthinkoftelevisionthoughasagreattime-waster?Lesley:Un.Ithinkitcanbeatimewasteranditdependsonhowparticularpeopleareaboutwhatyouknowwhattheywanttosee.Um,itcanjustbeasortoftotalamusementforsomeoneandtotallyconsumingwithoutreallyconsideringwhatitistheyrewatching.M
53、atthew:Aha,buthowdoyoupreventitcomingintoyourlifeandtakingoveryoureveningsandatthesametimeperhapsgetgetouttefethieionsomeofthesortofbestthingsbestprogrammesthat.thatundoubtedlyareontelevision?Lesley:Well,Isupposeoneoftheproblemsis.willdependonwhatapersonslifestyleis,andthatifhehasotheroutsideinteres
54、tswhichareequallyimportanttohimastelevision,hewillthen,youknow,bemorecarefulaboutwhichprogrammeshewantstowatchbecausehehastimewhichheuseswantstousefootherthings.Matthew:Doyouthinkthoughthat.thatininasensetelevisioliedhaieoplesowner.sortof,creativityortheirabilitytoentertainthemselvesbecausewell,ifth
55、eyreboredalltheydoisjustturnonthetelevision?Lesley:Yes,Ithinkthatisadanger,andIthinkthatsfnctiswhatishappeningtoalotofpeoplewhouseitastheir.theirmainfieldofamusementand.becausetheydonthaveotheroutsideinterestsandevenwhenpeoplecomeround,theyllleavethetelevisiononandnotbe,youknow,particularlyintereste
56、dintalkingtothem.Youknowthetelevisionwillbethemainthingintheroom.Matthew:Henrietta,wouldyouletyourchildrenspendmanyafternoonsandeveningswatchingtelevisionorwouldyouencouragethemtogooutandplay?Henrietta:Well,itsinteresting.inThfiasc.t.,wereallyhavehadapolicyofum.almosttotalrestrictionofviewing.Imean,
57、mychildrenareverysmall,theyrefour-and-a-halfandtwo-and-a-half,anditsonlyveryrecentlythatwehaveevengotintothehabitofwatchingPlayschool.Idotendto.um.Idotryto.infactIsucceedinrestrictingtheirviewingsolelytothatandacoupleofprogrammesthatfollowit,butIdontliketoseeachildsitwithanopenmouthinfrontofatelevis
58、ionsethourafterhour,butImnotanti-televisionatall.Imyselfwatchquitealot;Iwatchsomecomedy,Iwatchum.serials.,umtherecentserializationofJaneEyrewasbeautifullydoneandveryinteresting.Iwatchthenewsavidly.Matthew:Peter,haveyougotatelevision?Peter:Ihave,infactIvegottwotelevisions.Matthew:Doyouwatchthemalot?P
59、eter:Er.noI.Iwatchveryseldom.Infact,IfindthatIwatchtelevisionmostwhenImmostwhenImworkinghardestandIneedsomesortofpassivewayofrelaxing,somethingwhichrequiresnothingofme,thenIwatchtelevisionalot.WhenIvegotmoreenergyleft.um.inmyownprivatetime,inmyfreetime,thenIfindIdomoredifferentthings.Idothingslikeum
60、reading,orgoingout,orworkingonanythingmyhobbies.Matthew:Doyouthinkthoughthatpeoplecanliveaperfectlyhappylifeiftheyhaventgotatelevision?Peter:Oh,yes,Ithinkpeoplewhodonthaveatelevisionorpeoplewhodontwatchtelevisioncanbeexpectedtobehappier.Youcaniftheyneverwatchtelevision,youcanassume,Ithink,oryoucangu
61、essthattheyarehappierpeoplethanthepeoplewhowatchalotoftelevision,becauseIthinkthattelevisiongoeswiththekindoflifewhichleavesyouwithnothingtospare,nothingleft.Youhavetobegivenpotted,passiveentertainment.Matthew:Butinthatcaseyou.youseemasthoughyourecompletelyagainsttelevision.Isthattrue?Peter:No,itsno
62、t.I.Ihaveatelevision,infactIhavetwoasIsaid,butI.I.Ithinktheresadilemma,adifficultsituation.Televisioninitselfisverygood;alotoftheinformationandalotoftheprogrammesareveryinstructive;theyintroduceyoutothingsyoumayneverhavethoughtofbeforeorneverhaveheardaboutbefore.Butinwatching,itmakesyouverypassive;y
63、ousitforhourafterhourandyougetveryreceptiveandveryunquestioninganditseemstometheimportantthinginlifeistobeactive,todothings,tothinkthingsandtobeascreativeaspossible,andtelevisionpreventsthis.Task8【答案】1)d)2)d)3)c)4)b)5)a)【原文】Michael:Iwanttodosomethingtonightforachange,letsgoout.Brian:Allright,letsgot
64、othemovies.Jane:Inthisheat?Areyoujoking?Brian:Wecangotoanoutdoormovie.DoyouthinkIdsuggestanindooroneinthemiddleofthesummerinSanDiego?Michael:Idrathergooutforameal.Jane:Yes,thatsoundsabetteridea.Theoutdoormoviesaresouncomfortable.Brian:Whydontwedobothatthesametime?Wecouldpickupsometake-awayfoodandeatitinthemovie.Michael:Thatsoundslikefun.Whatagoodidea.Jane:Buttheynevershowanygoodfilmsinthesummer.Atleastnotanyofthenewones.Allyougetistheoldclassics.Brian:Andwhatswrongwiththem?Jane:Ohnothing,
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