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1、Architectural aestheticsDescription: good architecture is breathtaking beauty. We can compare the strict designed by calculation from the ancient Greek temple of ancient Rome, medieval church or ancient temples, but was unable to predict that Tadao Andos light of the Church, he is born, find the pea

2、cefulness. After the priest of the Forum should be sacred for wall, human thinking should be in the wall, but on solidification, Ando has boldly fashionable in the wall of a perpendicular to the horizontal opening of the intersect, forming a cross light, the God of light into the room. This means th

3、at the gods of light of many peoples hearts.Keywords: architectural aesthetics, geographical, natural environmentOur physical environment, some content to let long galleries, there are things you as minor and fleeting. Sometimes, it has not been tested by underline things but has an excellent qualit

4、y, because they are in the environment and the role of one of them in the history of a people cannot be underestimated. The building is the mental and the physical form of a fantasy world, is a people want to constantly improve the world. Even in urban space or building a reality, people can be awar

5、e of when building the content, the content determines the atmosphere is not visible. At the same time, building with the walls between the consciousness of history-also pregnant with significant changes in the future.Good architecture is breathtaking beauty. We can compare the strict designed by ca

6、lculation from the ancient Greek temple of ancient Rome, medieval church or ancient temples, but was unable to predict that Tadao Andos light of the Church, he is born, find the peacefulness. After the priest of the Forum should be sacred for wall, human thinking should be in the wall, but on solidi

7、fication, Ando has boldly fashionable in the wall of a perpendicular to the horizontal opening of the intersect, forming a cross light, the God of light into the room. This means that the gods of light of many peoples hearts.Architectural beauty lies in its natural environment, and rooted in obedien

8、ce to the natural environment. A variety of architectural form, and varied architectural styles suitable for different natural and scenic forest terrain dissolving into one, creating a variety of architectural culture his beautiful language.Different different natural environment, as man and nature,

9、 to the summary of the building, to the plants. Hop, hop, suitable for the various geographical areas at the request of the natural environment, and nature.In the South-East Asia and South Asian countries, in Chinas Hainan Island and Taiwan island, located at the lush, tropical climate, people use C

10、oconut Grove palm leaf up to adapt to the tropical rainforest left, the wooden floor, ventilation, light and cool and simple, built in the building; the tropical rain forest in the province, in Chinas Western Alpine region, people use stone barrier wall, according to the Hill jiushi built stone buil

11、ding, Typhoon snow insulation against the cold, built a plateau mountain building. As Chinas Sichuan and other minorities in Tibet Qinghai in Western China, according to the Hill jiushi built to all kinds of mountain building group. The loess plateau in China, mobei Gobi, rainfall climates, they lev

12、erage mountain slope dig to build houses, built of Adobe buildings. Dunhuang Pinakothek construction buried into the hillside, semi-open entrance, hillside retaining wall obtained, Adobe-style architectural characteristics very obvious. In the Eastern United States, Australia, in the South of China,

13、 with abundant rainfall, mild climate, people with wood and tile mountains jiushi, local conditions andcover up the shade hood, ventilation, humid area in the building. Visible in the different regions of the building has its own beautiful language.Architectural beauty lies in its rich sound, garden

14、 buildings is highly representative of a case. Although he continuously to borrow, King, box sites, and many other visual techniques demonstrated at such as art as the conception, however, only to Visual impact, he was not to be so awesome. In addition to the traditional Chinese garden itself of cul

15、tural tradition, philosophy, his heart also lies in the human sensory perception of others. The Phoenix huang class flute, whistle flowing water when his sound; the bamboo homes Kim Bong, Lotus flowers smell performance taste; Poly boxing ring shaped Hill, as the bucket water pool and reflects his s

16、cale, not to mention the claustrophobic to solitude, ascending to the expression of emotion in a lifetime . The beauty of Chinese architecture: all inclusive-vapour and whirling, wind dance secluded huang, fragrant as years years-heze, by xiangyuan Yi Ching; pool-view heart, tingxie pleasant and so

17、on and so on. It is this otoacoustic eye color, full moon flower, Garden perception of imagery, reflecting his poetically.Architectural beauty is a multi axis coordinate system. In different historical periods, different regional culture, ethnic background are not all the same. Ancient Chinese aesth

18、etic standard who are unified, as was the mobilization of centralization, almost all the buildings means the creation of a common complete form of art. As a result, Chinas architecture reflects the orthodox Confucian thought, and ambitious; Chinese gardens with the Taoist, strongly imitate nature, e

19、xtreme freedom and changeable. While ancient Greek philosophy and the arts all knowledge, in pursuit of eternal perfect, so in the spirit of the level of their pursuit of spiritual perfection, nature they are pursuing a lasting image of beauty, to some extent, their beauty is $ 1.1840, Engels in his

20、 earlier book, seven Filippos hometown , discusses the classical architecture style of Zhongshan key new features: the Greek architects are brightly coloured, Moore of architecture (of North Africa, southern Europe of Islamic architecture) makes people feel hesitant, Gothic sacred happy; Greek archi

21、tectural style phase anything, Moore-building style like the stars of the evening, Gothic architecture style like the Golden Dawn. In short, different architectural expression of beauty are quite different.Architectural beauty lies in its arbitrary and should display fine, although its almost done b

22、y people from the natural and artistic creation. Whether it is a tile, is a variation of, or is incomplete, dangerous, contemporary architectural design of the non-harmony consciousness is striking a trend.For example, postmodern architecture will tile formally introduced architecture creation, Isoz

23、aki of Tsukuba Center is a typical example. He will appear in the history and contemporary of intensity, Roman, Michelangelo, Moore, years and so many people of fragments from the original context in-out, converted and tile, make up a new system crashing, Vilas Palace of the expensives maid were in

24、the Group Portrait, which stimulate the thinking of. The remains of ancient construction, the ruins of war, waste that some artists and architects feel torn beauty or form. For example, an earlier use of torn law-abiding architects Haworth to cause Shihlin jewellery design, he will even granite bric

25、k facades tore a large gap, causing a crash, make light projecting from the mysterious. While the deconstruction architects also exaggerated attitude stressed that the composition of dangerous to pose, its taste is represented as instability, weightlessness, sliding, overturning, falling, and so on

26、a non-equilibrium of dangerous composition.Beauty is changing, the tragedy of the ancients, fair, sublime, noble, naive, and so far not able to cover a wide variety of todays emerging aesthetic form. Contemporary architecture in the area of non-harmony complexity, it widens the architectural modelin

27、g and aesthetic space so that the architectural beauty and meaning of harmonious become more abundant.Architectural beauty lies in the fact that it is reasonable to interleave. The evolution of the building, in a sense is emotional and the rational development of the Union. The relationship between

28、emotion and reason, from had clashed, gradually developed into the amalgamation of the stage.In the field of architecture, emotional and rational boundaries are obscure. The emergence of light to dark, as emotion to rational, reasonable negative Chahar confirmed the existence of reason, and the buil

29、ding is with a certain function, a function of matter. At this level, the building contains natural rational components.When crossing the modern industrial civilization dating back to ancient times, we will surprises, this ones mind old emotional factors. Built on a thick massive form, there is a sp

30、irit of flexibility and intangible. In accurate and detailed scale in a fine expression of emotion, happy and bright mood, a bright, sunny day . (Engels). Back to the contemporary, the constructio sector, multicultural coexistence styles; the rise and fall of modernism, postmodernism has just put on

31、 the stage of history, it was crazy heedless of the annihilation of deconstruction. Wrong, symbiosis metaphor symbol a high tech . seems to be in one night, the building became the best media passed emotion. Therefore, in the knowledge of contemporary architecture trends and future architecture, arc

32、hitectural beauty of emotional understanding and is one of the contemplative basis points.Architectural beauty lies in the science and technology on the art and architecture of the 20th century art and architecture development, most dramatic beneficial to past era。Advances in technology make it poss

33、ible to dream of architect. The role of art and nature and man, society, so that the full of life, from emotionally experience of nature and life of rhyme and poetic. At this time of the construction sector evolved reverse form of aesthetics aesthetic high tech ecological aesthetics and to maintain

34、development of aesthetics as the representative of the emerging architectural aesthetic system.The inverse form of aesthetics intentional violation of the law in the form of aesthetics. Classical aesthetic pursuit in harmony, and he advocated conflict broken by expanding and American antithesis of c

35、onflict, warfare requirements, funny, humor, and other ways and means to improve the performance of buildings. Aesthetic stressed the high tech application, stressing the cultural expression of emotion, focusing on building flexibility and diversity, local and historical culture, such as Jean Nouvel

36、 * Design Center for the Arab world. The ecological aesthetics ecology of full, stable, harmonious aesthetic standards, the pursuit of natural beauty and man-made beauty, Norman Fosters design in Wales * gardens, will naturally into them create artificial climate, this is not possible in the past. I

37、n support of science and technology, could hardly have been able to break through the nature and structure of the constraint. The sustainable development of natural aesthetics , ecology, society as a complete system, people and nature of interdependence and mutual harmony, as aesthetic ideals, chasi

38、ng meet human needs, and create a good environment.The network era buildings form already appeared-e building. The magic of the computer network is now like a storm swept across the world, its biggest huge impact changing our everyaspect of life. Science and technology of every advancement affect to

39、 the building and the development of the city, just as the invention of the cinema also means cinema such as architecture.Winston * Churchill that widespread warning said we bring up the building, the building makes us. E architectural beauty lies in its performance of the network age art architectu

40、ral space, architect, or at least is the art of a special form, building with building language authoring, artistic expression to the outside world a thought or a explains a significance. The architectural language in the creative process in writing these meanings. While the network age of a main in

41、terpretation of the expression of every thought. E building is the author of a creative passion, artistic, aesthetic taste, social experience, the internal state of mind and to describe the depth of understanding of the object.The e-age, and paper are no longer the only vector of architecture, as hi

42、story and bamboo from Oracle to ask, and development to paper and printing. Computer architecture expression, in fact already started showing up, is different from the previously static drawings, it displays the information of the expression, and broadband Internet use media real-time interactive pu

43、blication makes the comprehensive development of the architectural design.All in all, a cultural background of the building, the accumulation of a rich cultural connotations of the building, either the environment it reflected the cultural heritage of the human spirit, but also with their own interp

44、retation to the concept of beauty, building rich language and of endless aftertaste. / http:/ 建筑美学浅谈简介：好的建筑是令人窒息的美丽。我们几乎可以比较严格的由计算而设计出古希腊古 罗马的神庙，中世纪的教堂或是古代的寺庙，但却无法预测到安藤忠雄的“光的教堂”，他 的诞生着实令人为之一振。在牧师的讲坛后应该是神圣的永恒不变的墙体，人类的思维应该 在这面墙体上凝固，可是，安藤却大胆地在墙上流出了一个垂直于水平的相交的开口，形成 了一个“光的十字”，把神的光芒引到人间。这种光的神灵意味更强烈的震撼着人的心

45、灵关键字：建筑美学,地域,自然环境我们所处的物质环境中,有些内容让人长久无法忘怀，有些东西则如过眼云烟转瞬即逝。 有时，没有经过刻意雕琢过的东西却拥有着精良的品质，因为他们在环境中所扮演的角色令 人折服，他们在历史中上演的一幕令人不能小觑。建筑是精神和幻想世界的物化形式，是一 个人们想不断完善的世界。即使是在城市空间或建筑成为现实后，人们依然可以察觉到当初建筑所要表达的内容，这种内容决定了不可见的气氛的情绪。同时，建筑标志着过去墙 壁之间可自觉的历史也孕育着将来显著的变化。好的建筑是令人窒息的美丽。我们几乎可以比较严格的由计算而设计出古希腊古罗马的 神庙，中世纪的教堂或是古代的寺庙，但却无法预

46、测到安藤忠雄的“光的教堂”，他的诞生 着实令人为之一振。在牧师的讲坛后应该是神圣的永恒不变的墙体，人类的思维应该在这面 墙体上凝固，可是，安藤却大胆地在墙上流出了一个垂直于水平的相交的开口，形成了一个 “光的十字”，把神的光芒引到人间。这种光的神灵意味更强烈的震撼着人的心灵。建筑之美在于其根植于自然环境，又服从于自然环境。多样的建筑形式，各异的建筑风 格适宜于不同的自然环境，与风景林木地形溶为一体，形成了各种建筑文化自己的美的语言。不同的地域，不同的自然环境，作为人与自然总结的建筑，向植物一样落地生根。合天 时，合地利，适宜于各种地区自然环境的要求，与大自然融为一体。在东南亚和南亚各国，在中国

47、的海南岛和台湾岛，椰林茂密，气候炎热，人们用椰树林 棕榈叶盖起了适应热带雨林的茅草房，小木楼，通风轻盈凉爽简洁，建起了热带雨林建筑； 在中亚西亚，在中国的西部高寒地区，人们用石块垒砌，依山就势盖起了石板建筑，避风挡 雪保温御寒，筑成了高原山地建筑。如中国的西藏青海四川等少数民族在中国西部，依山就 势建起可各式各样的山地建筑群。在中国的黄土高原，漠北戈壁，雨量稀少，气候干燥，人 们利用山边土坡挖地筑房，建起了具有鲜明特色的生土建筑。甘肃敦煌艺术陈列馆把建筑埋 入山坡下，半开敞式入口，山坡挡墙甬道，生土式建筑特征十分明显。在美国的东部，在澳 大利亚，在中国的南方，雨量充沛，气候温和，人们用木材砖瓦

48、依山就势，因地制宜，盖起 了遮阳避雨，通风透气，造型别致的湿热地区建筑。可见，不同地区的建筑有着自己美的语、言。建筑之美在于其诗情画意，中国古典园林的建筑就是卓有代表的一例。尽管他不间断地 以借景，对景，框景等诸多视觉手法向人们展示着如画般的意境,然而仅以视觉冲击，他还 无以有如此撼人的魅力。除了中国古典园林自身所蕴含的文化底蕴，哲学思想外，他的深意 还在于调动了人的其他感官知觉。“凤篁类长笛，流水当鸣笛”表现其声；“竹院金风细， 荷塘花气香”表现其味；“聚拳石为山，环斗水为池”又体现了他的尺度，更不用说“幽闭 以独处，登高以畅怀”表达的情绪了。中国建筑之美包罗万象：竹影婆娑，风舞幽篁，菏香

49、苒苒，香远益清；池景赏心，亭榭宜人等等等等。正是这耳声目色，月圆花好，造就了中国 古典园林的知觉意象，体现了他的诗情画意。建筑之美是一个多轴的坐标系。在不同的历史时期，不同地域文化，不同民族背景下都 不尽相同。中国古代人们心中的美学标准则是统一的，正如当时的中央集权，几乎动员了全 部当时的建筑手段共同创造出完整的艺术形式。因此，中国的建筑体现了儒家思想，正统而 有气魄;中国园林蕴含着道家思想，极力效法自然，极度自由，变化多端。而古希腊在哲学 与艺术等等的一切知识，都是在追求永恒的完美，所以在精神层次上他们追求灵性的完美， 在自然界中他们则追求一种永恒的形象美，在某种程度上，他们的美是一元的。1

50、840 年，恩格斯在他的早期著作七个菲利特的故乡一文中，论述了古典建筑中山 重点新风格的美学特征：“希腊式的建筑师人感到明快，摩尔时的建筑（指北非，南欧的伊 斯兰建筑）使人觉得犹豫，哥特式建筑神圣的令人心醉神迷；希腊式的建筑风格相艳阳天， 摩尔式的建筑风格像星光闪烁的黄昏，哥特式建筑的风格像朝霞。”总之，不同的建筑有着 不同美的表达。建筑之美在于其随意之处竟显精致，虽由人做宛自天成的艺术创作。无论是拼贴，是变 异，抑或是残缺，奇险，当代建筑设计中的“非和谐”意识引人注目的一种倾向。例如，后现代主义建筑将拼贴正式引入建筑创作中,矶崎新的筑波中心是典型事例。他 将历史上和当代的烈度，罗曼诺，米开朗

51、基罗，穆尔，霍来因等很多人的片断从原来的文脉 中撕拉出来，进行了转换和拼贴，构成了一个相互撞击的新系统，犹如维拉斯贵兹的宫廷 的侍女们中的群体肖像，从而激起人们的思索。古代建筑的遗迹，战争废墟，废弃物使一 些艺术家和建筑师感受到残缺的美感或造型上的力度。比如较早运用残缺守法的建筑师霍来 因，在士林珠宝店的设计中，他将平整的花岗岩砌成的外立面撕开了一个大缺口，造成一种 撞击感，使得光线从种神秘的投射出来。而解构主义建筑师同样以夸张的姿态强调构图的奇 险于动势的感觉，其审美意趣表现为失稳，失重，滑动，翻倾，坠落等等非平衡的奇险构图。美是发展变化的，古人提出的悲剧，秀雅，崇高，尊贵，朴素等远不能涵盖

52、当今出现的 各种各样的审美形态。当代建筑领域的“非和谐”具有复杂性，它开拓了建筑造型与审美的 空间，使建筑之美与“和谐”的含义变得更为丰富。建筑之美在于其是情理交织的。建筑的演进，在某种意义上是情感与理性的交织发展过 程。情感与理性的关系，从曾经相互抵触，逐渐发展到相互融合的阶段。建筑学领域中,情感与理性的界限正变的模糊。光之于黑暗的出现，正如情感之于理性， 对理性的否定恰确认了理性的存在，而建筑物正是凭借了一定的功能，成为了使用功能的物 质承担者。在这个层面上，建筑包含与生俱来的理性成分。当越过现代工业文明追溯到远古，我们会惊喜的发现，这种人的心灵情感因素早已有之。 建筑在厚重巨大的形态下，

53、蕴藏了心灵的柔性与无形的时间。在精确细致的比例尺度中营造 着细腻的情感，“表达了愉快与明朗的情绪，灿烂，阳光照耀的白昼”（恩格斯语）。回到当代，建筑界多元共存，风格多变；现代主义潮起潮落，后现代主义刚在历史舞台上上 演，又被“疯狂”的解构狂啸湮没。“错时”“共生”“隐喻”“象征”“高技”.似 乎在一夜之间,建筑成了传递情感的最佳媒介。因此，在认识当代建筑思潮以及对未来建筑 时，建筑之美的情理解和则是思辨的基点之一。建筑之美在于科学技术对艺术和建筑创作的影响，这是20 世纪艺术和建筑发展中，最 鲜明的有益于以往时代的特征。技术的进步使得建筑师的梦想成为可能。艺术的作用表现与人与自然，社会的关系，

54、使 生活的爆满，从感性上体验自然和人生的韵律和诗意。这时候的建筑界逐渐形成了“反形式 美学”“高技美学”“生态美学”和“可维持发展的美学”为代表的新兴建筑美学体系。“反形式美学”有意违反了形式美学的规律。古典美学追求和谐统一，而他提倡冲突破 碎，通过拓展美的对立面要求采用冲突，对抗，滑稽，幽默等方式与手法来提高建筑的表现 力。“高技美学”强调高技术的应用，讲究文化情感的表述，注重建筑灵活性和多样性，努 力表现地方性与历史文化的内涵，如让*努维尔设计的阿拉伯世界研究中心。“生态美学” 以自然生态的完整，稳定，和谐为审美标准，追求自然美与人工美的完美结合，诺曼*福斯 特设计的威尔士国家植物园，将自

55、然纳入其中营造人工气候，这在过去是不可能想象的。在 科技的支持下，简直已经能够突破自然，结构的约束。“可持续发展美学”把自然，生态， 社会作为一个完整的系统，将人与自然的相互依赖和相互和谐，作为审美理想，追求着满足 人类生存需要，又创造良好的生态环境美学价值。网络时代的建筑形式已经出场e建筑。神奇的计算机网络现在像一场风暴席卷着全 球，正以其无法估量的巨大冲击力改变着我们生活的每一个方面。科技的每一次进步都或多 或少影响到建筑和城市的发展，就像电影的发明同时也就意味着电影院这类的建筑产生一 样。温斯顿*丘吉尔那就广为传播的警句说“我们造就建筑，建筑也造就我们”。 e 建筑之 美在于它表现网络时

56、代的建筑空间，建筑师艺术，或者至少是艺术的一种特殊形式，建筑时 采用建筑的语言创作，凡是艺术都要向外界表达一种思想或说明一种意义。建筑语言在创作 过程中书写了这些意义。而网络时代的一件主诠释了每一个思想的表达。e建筑凝聚了作者 的创作激情，艺术修养，审美趣味，社会阅历，内在心境和对描绘对象深度的理解。e 时代，纸不再只是建筑的唯一载体，正像历史上从甲骨文到竹简问，又发展到纸和印 刷术一样。计算机建筑表达，事实上已经开始显示出强大的说服力，不同于一张张静止的图 纸，它显示了信息的动态表达，并在宽带互联网上利用媒体实时交互式发布，使得建筑设计 全面发展。总之，孕育着一个文化背景的建筑，积淀着丰富的文化内涵的建筑，既可以折射出所处 环境的文化传统，人文精神，同时也以其自身诠释着美的概念，建筑丰富的语言中裹着的是 让人无尽的回味。